Many of my films involve humour, but unlike the earlier work Shepherd’s Delight attempts to confront the problem of humour head-on, referring directly (since a large part of the film is composed of jokes and their analysis) to the viewer’s perception of the film itself. The film is largely concerned with how context determines the reading of information. Since the film’s statements oscillate between the deadly serious (concentrating particularly on an examination of the more sinister aspects of humour) and the totally bogus, with no clearly defined points of changeover, the context is often ambiguous. Hopefully, this strategy undermines both the authority of the ‘serious’ statements and any predictable effect of the ‘jokes’. John Smith, 1984
Pentru a se incarca un film corect pe Netu.tv, trebuie ca inainte sa dam play pe butonul galben sa apasam pe butonul de „play” (cel in forma de cerc gri cu sageata) care nu mai are pozitie prestabilita (adica in centru). Este necesară apăsarea lui la început, altfel video-ul nu o să pornească, indiferent dacă folosiţi sau nu extensii de tip adblock.